“In 2011, I had a chance to speak with Kraus about her films, which were shown at Real Fine Arts (RIP) under the BQE on the border of industrial Greenpoint.”
Substack: Catching Up: Dropping the Vestiges
“I realized recently that I could stand to change the way that I tell stories. Lately I’ve been telling the same ones over and over again without really pausing to think of whether they’re the truth of things as I see them now.”
Client Work: Other Subjects/Killer Dentist
“I was happy to help NYC experimental publisher and curatorial project Other Subjects/Killer Dentist in the past year with some editing and transcribing work for the book Dictionary For Mayflies by filmmaker Keren Cytter, as well as an interview with performance artist Lisa Carver.”
Client Work: Noah Venezia
“In 2020 I created a new bio for New York-based designer Noah Venezia.”
Substack: Fiction (supernatural, amorphous): A lingering presence who watches and wanders
“I felt especially at home in this supernatural, amorphous character, which unmoored me a bit from the need to accurately describe or convey things that had already happened to me.”
Client Work: No Peak Hours
“I was recently approached to do some writing for Brooklyn label No Peak Hours, a relatively new imprint run by Katelyn M. that focuses on dancefloor-inspired music for all hours.”
Personal Work: Basilica Poem
“In 2021, I unearthed this poem and paired it with some ink drawings I made. The images aren’t directly related to the poem, but they portray objects and environments I use for channelling creativity.”
Substack: Proximity to Power (Part 2): Fictionalize (and fantasize)
“I enjoyed the idea of injecting my essence into something functional and semi-hidden, of subtly influencing the proceedings beneath surface perceptions.”
“Ancestral, Elemental, and Poly-Vocal: a conversation with Gavilán Rayna Russom”
“Rather than being like, Oh, I want to make an amazing track, the coding of time has been much more what I’m interested in. At the forefront is, what am I doing with time here? How am I structuring time?”
Substack: Proximity to Power (Part 1: on moving away)
“I moved away from NYC over two years ago, a reality that was almost completely obfuscated by the sweeping global pandemic that arrived mere months after I landed in Vancouver, where I’d graduated from art school nearly a decade and a half previously.”