“I recently had the chance to speak with experimental sound practitioner Sara Gold for West Coast publication ReIssue.”
Tag: Online
Client Work: KING DADDY
“These leather accessories can be worn as a fashion statement but may also have deep personal significance to the wearer.”
Notebook: Bernadette Corporation: “2000 Wasted Years”
“BC’s decentralized artistic approach took a critical position toward the commoditization of the singular artist’s identity while exploring capitalism’s strange existential slippages.”
Substack: Catching Up: Dropping the Vestiges
“I realized recently that I could stand to change the way that I tell stories. Lately I’ve been telling the same ones over and over again without really pausing to think of whether they’re the truth of things as I see them now.”
Client Work: Other Subjects/Killer Dentist
“I was happy to help NYC experimental publisher and curatorial project Other Subjects/Killer Dentist in the past year with some editing and transcribing work for the book Dictionary For Mayflies by filmmaker Keren Cytter, as well as an interview with performance artist Lisa Carver.”
Substack: Fiction (supernatural, amorphous): A lingering presence who watches and wanders
“I felt especially at home in this supernatural, amorphous character, which unmoored me a bit from the need to accurately describe or convey things that had already happened to me.”
Client Work: No Peak Hours
“I was recently approached to do some writing for Brooklyn label No Peak Hours, a relatively new imprint run by Katelyn M. that focuses on dancefloor-inspired music for all hours.”
Substack: Proximity to Power (Part 2): Fictionalize (and fantasize)
“I enjoyed the idea of injecting my essence into something functional and semi-hidden, of subtly influencing the proceedings beneath surface perceptions.”
“Ancestral, Elemental, and Poly-Vocal: a conversation with Gavilán Rayna Russom”
“Rather than being like, Oh, I want to make an amazing track, the coding of time has been much more what I’m interested in. At the forefront is, what am I doing with time here? How am I structuring time?”
Substack: Proximity to Power (Part 1: on moving away)
“I moved away from NYC over two years ago, a reality that was almost completely obfuscated by the sweeping global pandemic that arrived mere months after I landed in Vancouver, where I’d graduated from art school nearly a decade and a half previously.”